The other day I spoke with a radio talk show personality, a nationally known figure with a radio gig in Boston. I called him to make a simple point: that those Democrats who take umbrage with the president's intimations that their criticisms of America's war efforts are unpatriotic are guilty of the same sin: they believe the president, the vice president, and the supporters of the war in Iraq are treasonous, devilish, and thoroughly unpatriotic. Bush and Co., after all (or so it goes), are fascist demagogues and Hitlerian; the armed services families who support him are "brainwashed" (Cindy Sheehan's opinion); and the war is "illegal" and not the result of "democratic debate and agreement" but the cause célèbre of neocon machismo rushing headlong into war. While on air I made the further observation that essayists such as Maureen Dowd and Frank Rich are not known for celebrating the president's patriotism, but for doubting and undermining it; and that documentarian (I must be generous) Michael Moore does not print celluloid honoring the president's devotion to his country. If any group questions a person's patriotism, it is the Democrats nattering on about impeachable offenses and "Kool Aid" conformity. "I hate conservatives and everything they stand for" was not uttered by Fidel Castro, but Howard Dean, the Democrats' leading spokesman. To Democrats and their press minions, it is America's conservatives who hate America (which might as well be the motto for the DNC).
But you'll love this: the radio personality agreed with me, as did his cohorts. And they offered that they had never known another time in American history when the country, from one neighbor to the next, was so bitterly divided. But why bother to tell you all this? Because the very next day, the talk show host was right back at it, his agreement with me having lasted but a few minutes, as he fomented umbrage about the unconscionable suggestion by the president that the sensitive Democrats lacked patriotism. It was clear he didn't agree with me at all.
Shift with me, for a moment, to the National Public Radio smash hit, "Car Talk." Surely you've heard of it. It is a call-in talk show wherein two Boston brothers, Bob and Ray (aka Click and Clack), both of whom attended MIT, answer nearly every possible question concerning anything automotive in hilarious fashion. It is a marvelous program. One time, in fact (and I've told this story to many friends with delight), an astronaut on the space shuttle called into the show, while in orbit. Laugh upon laugh, the astronaut also once attended MIT, and had often brought his car for service at the brothers' repair garage in Cambridge. It was a great moment in radio. That is, it was great until I had my own car trouble.
One day, while driving into Boston, I divined that my car acted strangely. I decided to call the Car Talk guys, though I was uncertain when the show was recorded. So I called 1-888-CarTalk on my cellphone, taking a chance on making air time. My surprise? There was an automated voice system asking me my name, the year, make and model of my car; the nature of my problem, my phone number and when would be a convenient time for Car Talk to call me. You see, Car Talk is not call-in, it's call-out: They contact you (and they've already researched the answer). Hence, the astronaut phone call spontaneously dialed from the heavens was a sham.
The reality about radio, particularly talk-radio, is that much more of it is contrived and rehearsed than is first apparent. Call in to any prominent political talk show and you will be asked a series of questions by a screener, who in turn sends your info to the host's laptop computer or through an ear-piece so that he or she can prep for your call, sequeing into it to elicit a set of listener responses. Like David Brooks' observation that newspapers love essays that are "wrong" as they incite strong reactions, so talk-show hosts love fomenting outrage among their listeners. It is good for ratings, and revenues.
This loss of authenticity is truly disconcerting; surely it's been around a long time. But it feels more prevalent to me, though I am perhaps too often prone to delusion. Last year's US elections provided us with the CBS/60 Minutes debacle, where forged documents were posited for our consideration in order to impugn President Bush. When confronted with the facts, CBS took the position that though the documents were forged, they nonetheless pointed to a true fact. The sophistry was clear, though the inauthenticity inherent in CBS's position is damning–damning to us. When news organizations begin to assert known fictions that conveniently point to some presumed, hidden truth, we are damned beyond repair: the end can never be justified without honest means. Otherwise we begin to think that an assertion is identical with evidence. We lose our way, clicking and clacking through the channels in search of a stable place that will set us aright. But we click and clack in vain.
Where does Hunter S. Thompson fit into all this? Tune in tomorrow.
Contratimes
©Bill Gnade 2005/Contratimes - All Rights Reserved
5 comments:
Hi Bill.
I'm assuming that the question "what does all this have to do with Hunter S. Thompson?" is answered by a phrase from this article: "...we begin to think that an assertion is identical with evidence." I assume, perhaps hastily but not illogically, that in your next article you are going to, (among other things, I'm sure), accuse Thompson of mistaking his own assertiveness for truth. If so, I would say that most great writers often make the same "mistake", but I hope you don't let that deter you from enjoying the magic of his writing. 'Hells Angels', 'Fear and Loathing on the Campaign Trail', and 'Better Than Sex' are some of the funniest and best-written books I've ever read, and I could imagine you getting a kick out of some of that stuff. I hope you'll dive into his books before attempting to write about him; to do otherwise will probably result in foolishness. (Last time I mentioned Thompson to you, you said you hadn't read anything by him. Of course, that may have changed.)
By the way, I loved your last article. The difficulties of attaining intimacy with others may be the most crucial study of our time, or any time, and I'm glad you're tackling it so righteously. Bravo.
peace & spider eyes,
LB
Egads, Luke, you've busted me. I've not read a syllable of Hunter S. Thompson's work. But my ignorance is probably irrelevant. I will be discussing a review of the book, The Gang That Couldn't Write Straight, which appeared in Friday's Wall Street Journal.
Of course, it need not take a genius to see where I am going. Perhaps it was a mistake to break up this post into two parts, but I am afraid that my posts are too long. Oiks. There is much to learn.
Peace, you stinkin' wallaby.
Gnade
Hi Bill.
The Wallaby is a marsupial from the islands of Australia, Tasmania and New Guinea. They are small- to medium-sized kangaroos. They are very, very cute.
Since you have met me in person, and not in wallaby, I can't imagine why you might have mistaken me for a wallaby. But I thank you warmly for the mildest insult I've ever weathered. It pleases me to think of the two of us having a heated political debate in a smoky bar, waving our hands in the air and pointing at each other with fury, calling each other things like "dune-buggy" "trolley-hopper" or "Winnie-the-Pooh".
My point in commenting before the article was written was to spell out a wish of mine in public: that commentators take the time to develope some intimacy with anything, and anyone, that they plan on discussing, before actually doing so. Surely you noted that I was, with ironical glee, committing the crime myself by commenting on an unwritten article that I literall couldn't have read yet.
I might know, from vague secondhand knowledge of, say, William F. Buckley, that I have some beefs with him, but I wouldn't include him in an article of mine, especially to show him in a negative light, unless I had spent some serious time reading his articles and some information about him. Part of what's missing in our culture is that kind of attention; there are too many screamers in our culture who don't bother to check out the things they're talking about. Surely this is at least as important as fact-checking? Surely it adds to the weight of one's commentary GREATLY?
Part of Hunter S. Thompson's brilliance is that he uses exaggeration and rampant hilarity to get closer to the truth of events and the personalities inviolved in them. See his portrait of Bill Clinton written after meeting him face-to-face in 'Better than Sex'. It's one of my favorite pieces of comic writing.
Muskie was an instrumental Democrat, and given what you think of that party, I assume you agree with Thompson, if only in spirit, when he claims Muskie was on some serious mind-bending drugs.
But really, I like Thompson for the same reason I like Chesterton; he's a brilliantly entertaining writer. So I won't bother to seriously defend him morally anymore than I would Chesterton, or any other artist.
Peace, you stinkin gnu*.
LB
*(The wildebeest--also known as the gnu--is a large antelope. The bull's deep grunts sound like a giant croaking frog. They are NOT very cute. But some of them are rather dashing.)
Dear wallaby,
Thanks for the zoology lesson.
I disagree with you. If I was actually writing about Hunter S. Thompson, a biography perhaps, then it would behoove me to read something by him. But if I am writing about a book review on gonzo journalism, and my point is that subjectivism has poisoned what was once touted as objectivism, then I have no qualms with writing about someone others have proven to be guilty of said intellectual crime. If my thesis happened to be that excessive exposure to ultraviolet rays damages the human eye, I need not glue my eyelids open (even for one second) in order to prove my thesis. If I assert that avalanches are dangerous, I need not have witnessed one, nor need I interview someone who believes otherwise.
I think you get my point. Similarly, I wrote a piece on Bob Dylan on this blog wherein I confess that I do not like him; perhaps I even confessed that I've not read the lyrics to one of his songs. But as a result of that essay, an absolute Dylan nut and aficionado, who happened to attend Exeter and Dartmouth (in other words he has a brain), gave me Dylan's complete works to read at my leisure; and he said that he was amazed at how well I captured Dylan, even praising my essay above many he had read over the last 30 years. So, my point is that you are expecting more of me in my essay than my essay requires. I think, considering my shaky aim, that I hit my mark pretty well.
Lastly, I think it is possible that too much knowledge can also be a liability: how to fit it all in, how to make it sensible, how to cut to the quick.
As for Mr. Muskie, I have no such thoughts about him at all. That would be ridiculous. This may be sharing too much, but Mr. Muskie's son is a friend of mine, and I would be ashamed to hold an opinion of my friend's father that could be based on such an absurd suggestion as that offered by Thompson. I may disagree with a Democratic idea; and there may be some Democrats I forever distrust, but there are Republicans I distrust, myself foremost among them. But I do not loathe Democrats for being Democrats, no matter what sort of innuendo is hurled their way by wreckless journalists intent on making a name or a splash. And if you believe that I participate in that sort of recklessness, then I apologize, and I thus admit that I am deluded, and doomed.
Peace,
Gnade
"Lastly, I think it is possible that too much knowledge can also be a liability: how to fit it all in, how to make it sensible, how to cut to the quick."
Agreed. And perhaps I should have suggested more than asserted. I liked your Dylan article a lot myself, but can't help wondering what you'd write if you devoured more of his work. Ditto Thompson.
Obviously my remarks on Muskie are a joke.
It is snowing with a gentle fury right now. The flakes are bigger than American flags. Keene is being buried and it is unspeakably beautiful.
peace & snowballs
LB
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